The fans were made to feel like a massive part of the show Urie wanted to make them feel included in every way possible.
The arena looked breathtakingly beautiful lit up entirely by flashlights as the performer gracefully flew over thousands of entranced Panic! fans while playing piano once again. It would lift him up as the first slow song of the night, “Dying In LA,” began. Urie was bursting with life, excitement, energy, and love for the entirety of the almost two-hour performance (during which he took very few breaks.) The thrilling start to the show was followed by high-energy hits such as, “Ready to Go” and “Hey Look Ma, I Made It.” Following “Mona Lisa,” Urie left the stage only to rise up again a minute later to show off his impressive piano skills with oldie and fan-favorite, “Nine in the Afternoon.”ĭuring “Death of a Bachelor,” Urie walked through the crowd and personally thanked fans for coming to the show as he made his way to a platform across the arena. Packed with pyrotechnics, confetti, crowd moments, and a flying stage, there was never a dull moment from start to finish. Finally, Urie sprung up from underneath the stage and began singing “F*ck A Silver Lining.” Appropriately, silver tinsel rained down from the ceiling. The audience chanted along for the last 10 seconds and the room went dark as the cheers became even louder. Suffice to say, the final show of the North American leg of the Pray for the Wicked Tour fulfilled our hopes and exceeded our expectations.Ģ0-year-old Youtuber-turned-musician Conan Gray and alternative duo Two Feet Music got fans on their feet, and warmed them up for the anticipated main act to come.Īs the number of seconds left on the countdown clock shrunk, the excitement in the room grew immensely.
The only things higher than our hopes for Wednesday night’s sold out Panic! At The Disco show were the out of this world notes lead singer Brendon Urie nailed repeatedly throughout the electrifying show. Panic! At The Disco Lives Up To High Hopes With Electrifying Sold Out Show By Hannah Taheri
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